10 Mistakes made while marketing to Women consumers

Marketers often neglect the feminine perspective while creating their strategies; Abheek Singhi, BCG India lists down the top ten mistakes often committed when marketing to women.

  1. Ignore the importance of emotional appeal.
  2. Cut price to build sales.
  3. Don’t change product/service offerings year on year.
  4. Make it ‘pink’
  5. Fail to differential ‘me too’ goods
  6. Communicate clumsily
  7. Overlooking the need for time saving solutions
  8. Ignore the importance of communities
  9. Forget design aesthetics.
  10. Underestimate importance of love.
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What women want?!

The discussion on Marketing to Women Consumers in Asia it was revealed that women control USD 12 trillion of annual discretionary spend which accouts for two thirds of global consumption; a staggering fact!. Abheek Singhi, BCG India’s findings suggested that overall though women’s happiness consistently meets expectations their stress levels have been always higher than their expectations. Organisations need to move away from a QSQT approach ie ‘quarter se quarter tak’ so as to better address the needs of their women consumers. Compared to men women are more conscious about value and cost associated with the products they buy; certain brand do ‘get’ what women want for eg Dove but one cannout sell to women thinking they’re men dressed in skirts, he concluded.

Profiling the Asian ‘woman’ consumer

According to Yeonhee Kim, BCG Korea, Asian women are more optimistic about the future and also the things around them. Typically they also enjoy more control over the household but not as much as their western counterparts. Fundamentally Asian women consumers are not at the same stage of evolution. Indian women are more inclined towards trading up their food requirements, while Chinese women seemed more keen on cosmetics and consumer durables; for the Japanese women improving the quality of travel and home related products and services were a priority. Kim concluded that no two Asian women consumers were the same given the fact that each country was a different stage of evolution coupled with the varied cultures and ethnic backgrounds.

Watch video excerpts from this sessions > http://bitly.com/t6EWqt

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Decoding integrity’s DNA

The discussion on Conscious Capitalism touched upon creating integrity and trust within brands. Journalist and Speaker Anna Bernasek elaborated that the DNA of intergrity can be decoded as Disclosure-Norms-Accountability which alllows for increased clarity/ transparency, simple and intuitive norms help in streamling things while the accountability ensures that wrong doers are punished. Ebay adopted this DNA approach and derived a lot of positives for their business. For example the bulletin board set on the eBay website acted as self policing mechanims for users.

For Duncan Goose, Founder & Managing Director, Global Ethics Limited who pursues business objectived with a conscience; all the relentless pursuit of happiness is directed towards funding and working for a good cause that helps out the needy and lesser privileged population. Duncan fully believes in taking a simple idea and connecting everyday purchases with life changing somewhere in the world. He works for building brands that change lives across categories and continents and wants to partner with people sharing similar vision. In this endeavour his company has managed to donate GBP 7.6 million profits from their products for a meaningful cause and in the process impacted 1.9 million lives. We can do ONE good thing just by buying ONE good thing – that’s the tag line of one of Duncan’s most successfull products and campaigns.

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Manganiyar Seduction

After an intense first day of AdAsia 2011 delegates enjoyed the dinner reception at the Dentsu Royal Darbar at the Ashok Hotel, New Delhi. It was a time to unwind, relax and enjoy the visually stunning performance by Manganiyar Seduction!!

The Manganiyar Seduction is a 67-minute-long show, directed by contemporary Indian theatre director Roysten Abel and it features over 40 Rajasthani folk musicians. The concept creates a dazzling union between the Manganiyar’s music and the visual seduction of Amsterdam ’s red light district. The sets are a combination of the Hawa Mahal and the Red light district of Amsterdam. It can also be compared to a magic box. 43 musicians are seated in 36 red-curtained cubicles arranged in four horizontal rows one on top of the other; and the concert begins when a single cubicle lights up and the first singer begins his song. Soon another cubicle lights up and then another thus creating a dramatic and astounding build-up of musical instruments and voice as young men, women, children and the elderly of the Manganiyar community take you into a world which is even beyond yours or their own. The Normal practise is to take and use music for theatre but here Roysten reverses the process and uses theatre to create magic in music. Read more about the Manganiyar Seduction here

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